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Bruges til grafiske elementers tilstand

Constructing Confluence

Navn
Isabella Priddle
Uddannelsesgrad
Kandidat
Fagområde
Arkitektur
Program
Spatial Design - Architecture, Design and Interiors
År
2021

LeBreton Flats, now largely vacant, was the site of one of Canada's largest timber mills. Trees were felled and placed in the Ottawa River to begin their journey to the mills at LeBreton. Inspired by the movement of logs in water, this timber museum and workshop is formed of a floating village connected by a dock, flowing with the ever-changing water, animated by people and their wooden projects.

Canada is a nation covered in forests. Its economy and national identity are both built upon a vast wealth of natural resources. Ottawa, Canada’s capital city is one that was founded on the lumber industry. LeBreton Flats, now vacant, was once the site of one of the world’s largest timber mills. Trees were felled in forests up north and placed in the river to begin their long journey to the mills at LeBreton.

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historic images of logs in the Ottawa River
bogs of logs study sketch
1:500 card site model
1:500 concrete site model
1:100 site approach sketch model
1:100 site approach sketch model
outdoor workshop
approach from inlet
path to workshop district

There has always been a deep connection between wood and the water. For many, the bogs of logs floating in the river was an integral part of the landscape of Ottawa in days past. In collaboration with the Canadian Wood Council, a new centre for timber exploration is created on the water at LeBreton Flats. By bringing this element of the site’s history to the forefront and by generating a new excitement towards the subject, contemporary culture and history will engage in conversation.

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1:500 floating village axonometric
1:500 floating village axonometric
1:500 floating village axonometric
path to library
visitor district

All buildings connected by the moving dock are part of a familial typology that varies based on the distinct programme of each room. Clad in untreated Eastern White Cedar shingles, the buildings grey and darken differently depending on orientation, sun exposure and the river water, this materiality is in connection with the site specific component of Critical Regionalism. A horizontal datum was established between all of the buildings as a method of articulating the timber frame's structural bays on the exterior, and drawing a continuity inside between the interior workbenches, window frames and handrail.

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1:10 detail model of floating timber frame building
1:10 detail model of floating timber frame building
1:20 detail section
1:20 detail section
1:20 detail section
1:100 typical building axonometric
study sketches of village family
ageing eastern white cedar study
workshop

The aim of the project is to embrace a new Critical Regionalism specific to Ottawa, and to educate its visitors on the value and importance of using local wood in construction. The centre exists to inform the next generation of wood materials, designs and applications in construction. The tectonic language of the project is designed in the spirit of the traditional Canadian timber frame barn.

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1:5 tectonic joinery model
1:5 tectonic joinery model
1:5 tectonic joinery model
1:5 tectonic joinery model
1:5 tectonic joinery model
1:5 tectonic joinery model
1:5 tectonic joinery model
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Quality education (4)
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CV

CV Title

Telefon
52744029
Competitions, Publications & Awards
2015
2018

Building 22 Publication, Editions 15-18

2018
2018

Carleton University Senate Medal

2018
2018

Nicholas Scolozzi Scholarship Recipient, Carleton University

2017
2018

OAA Award Recipient

2016
2016

Faculty Choice Award Finalist, Carleton School of Architecture

2015
2015

Michael Russel Coote Memorial Award Recipient

Education & Relevant Courses
2014
2018

Bachelor of Architectural Studies (BAS), Carleton University, Azrieli School of Architecture & Urbanism

I completely my bachelor's degree in Ottawa, Canada at Carleton University. Here, I had the opportunity to have a comprehensive architectural education whilst learning to handle the conflicting demands of function, aesthetics, technology and economy.
2019
2021

Master of Architecture, The Royal Danish Academy, Spatial Design

In the Spatial Design programme, we focused on architecture with the interior as a point of departure. This consisted of working at the human scale, with anthropology, history and tectonics as key guiding principles.
Professional Work Experience
2016
2020

Hobin Architecture, Architectural Designer

Ottawa, Ontario, Canada
2015
2015

The WoodSource, Timber Mill Worker

Ottawa, Ontario, Canada
2020
2020

Danielsen Architecture, Model Maker

Copenhagen, Denmark
2021
2021

Archival Studies, Architectural Intern

Copenhagen, Denmark