Glasurtest

UNWASTED

Navn
Anna Maria Sand Jensen
Uddannelsesgrad
Professionsbachelor
Fagfelt
Design
Institut
Bygningskunst og Design
Program
Crafts in Glass and Ceramics
År
2024

In a world facing mounting environmental challenges, it is crucial to infuse design practices with sustainable principles. This project aims to pioneer solutions that address these challenges functionally while elevating architectural aesthetics and honoring material craftsmanship.Focusing on sustainability, the project redefines the concept by considering residual materials as vehicles for sensory appreciation and adding a protective element to the built environment. 

By repurposing resources for new architectural contexts, it aspires to inspire a shift towards more sustainable and captivating design. Reimagining waste materials, it demonstrates how sensory richness can deepen connections between individuals, their surroundings, and their values.

Exploring diverse waste streams, including agriculture, food residue, and community waste, the project harnesses ceramics as a solution. It focuses on designing protective ceramic cladding for building facades, aligning with principles of re-building rather than new construction. Cladding can enhance both new and existing buildings by re-cladding or adding to existing facades.

Amid material shortages, the project uses waste-based resources to create contemporary ceramic elements that balance architectural functionality and sensory delight. 

Unwasted - Final works
Unwasted - Mockup Wall - Final work
Unwasted - Glaze close up
Unwasted tile - close up

Unwasted - Process video

Unwasted - Process video
Unwasted - tiles
Unwasted - final tiles
Eggshells - Raw material, Unwasted
Eggshells, raw material for Unwasted
Unwasted
Unwasted tile
his framework served as a dynamic structure, allowing me to navigate between different focal points while maintaining a central focus on the project.
Frame - This framework served as a dynamic structure, allowing me to navigate between different focal points while maintaining a central focus on the project.
Ashes, crushed ceramic waste, eggshells and glass.
4 key ingredients in the Unwasted project.
A color palette of stacked clay test, made from using waste resources . New aesthetics , tactility and expression.
Clay samples 65-100% waste materials.
raw materials
Raw Materials - Eggshells, hay, ashes, glass. Some of the main ingredients in the Unwasted project. Photo: I DO ART Agency
Claytest, Unwasted project.
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Waste is not waste if UNWASTED.


Unwasted - final works
Unwasted - Final tiles

MAKING MATERIAL FROM WASTE

Red and blue broken ceramic roof tiles, getting crushed and becoming new material. Some of the cladding tiles consist of between 60-85% pure crushed ceramic waste.

 

"THE INITIATIVE IS MEANT TO MOTIVATE AND INSPIRE OTHERS TO RECONSIDER WHAT IS WASTE—OR POTENTIALLY UNWASTEABLE—BEFORE DISPOSING IT." - Anna Maria Sand Jensen

Designing cladding patterns, inspired by the lines from raindrops on windows, using the program Rhino.
Designing cladding patterns, inspired by the lines from raindrops on windows, using the program Rhino.
Lasercut tools in wood, used for making and designing the cladding.
Lasercut tools, used for making the cladding.
Cladding illustrated
Cladding illustrated
Close-up , Cladding tile from Ceramic waste
Close-up , Cladding tile from 70% Ceramic waste
Unwasted tile
Unwasted tile, close up
Unwasted
Unwasted - Final Mockup wall
Collecting waste materials, at a local farm on the island of Bornholm.
Collecting waste materials, at a local farm on the island of Bornholm.
A big part of the working process, consist of crushing waste materials into finer powders. The powders is used for material research, to create new glaze and clay.
Crushing machine.
Working tools
Working tools for the prototypes of cladding. Raindrops drawn in digital form, lasercut and used as stamps.
Material tests. Samples of fired waste materials, used for clay and glazes.
Waste Material Tests, used for glaze and clay.
Glaze made from for instance: eggshells, rust from recycling station, hay.
Rust waste glaze - Glaze made from for instance: eggshells, rust from recycling station, hay.
Anna Maria Sand Jensen
At the Bornholm’s Waste Treatment, going through the containers consisting a variety of waste from metal waste, to glass and broken terracotta pots.

Mini Recycling Station

The setup of the Mini Recycling Station, made for the Unwasted project. Active for 3,5 months at the ceramic workshop at The Royal Danish Academy

 

THE UNWASTED CLADDING DESIGN AIMS FOR AESTHETIC APPEAL THROUGH FORM, COLOR, AND TEXTURE, ALONG WITH FUNCTIONAL ASPECTS LIKE PROTECTION, INSULATION, AND DURABILITY.

 

"I'VE BEEN FASCINATED BY THE PHENOMENA OF WATER FLOW AROUND ME, SUCH AS INDEPENDENT STREAMS AND PATTERNS. WATCHING RAINDROPS FORM LINES ON A CAR WINDOW CAPTIVATED ME WITH THEIR SIMPLICITY AND ELEGANCE, INSPIRING ME TO SEE THESE LINES AS POWERFUL DESIGN ELEMENTS."  - Anna Maria Sand Jensen

Cladding in process.
Cladding in process, drying.
Process of making cladding tiles from waste materials.
Process of making the rain-drop pattern on the cladding tiles.
Eggshell cladding.
Eggshell cladding close up.
Cladding making process.
In the workshop, smoothing out the material made from waste.
Durability testing the cladding at the workshop with fire .
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By: Anna Maria Sand Jensen
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Unwasted
Raw materials for Unwasted - And the Unwasted book

Det Kongelige Akademi understøtter FN’s verdensmål

Siden 2017 har Det Kongelige Akademi arbejdet med FN’s verdensmål. Det afspejler sig i forskning, undervisning og afgangsprojekter. Dette projekt har forholdt sig til følgende FN-mål
GRANT

GRANT: Nationalbankens Jubilæumsfond - Travel Grant

Granted a travel grant from Nationalbankens Jubilæumsfond, for the Unwasted project june 2024. 

GRANT

Frøken Marie Månssons Legat og Hotelejer Anders Månsson og Hustru Hanne Månssons Mindelegat - 2024

The scholarship was awarded by the scholarship committee at The Royal Academy, for educational travel stay abroad for study purposes.

July 2024

15. Juni Fondens Hæderspris 2024 - Design

15. Juni Fondens Hæderspris 2024 - Design

In October 2024, I was honored to receive the 15. Juni Fondens Hæderpris for my design project, "Unwasted." This recognition celebrates sustainable and innovative approaches to design. 

Nominated finalist - Green Concept Award 2025

Nominated finalist - Green Concept Award 2025

I was honored to be selected as a finalist in the "New Materials" category at the Green Concept Award, chosen from over 1,500 international applicants. Additionally, I was nominated for the Public Voting Prize, recognizing my innovative approach to sustainable material design.

CV

I am a maker specializing in waste material research within design and craft. In addition to my studies, I have contributed to architectural research projects. Motivated by a desire to make a positive impact, I focus on communicating essential messages through creative projects, leveraging creativity, visual acuity, and a keen eye for detail, texture, and color.

Konkurrencer, publikationer og priser

Comission work- The Dialogue Prize, Folkemødet 2023

Being chosen at OPEN CALL, to design the Dialogue Prize 2023 for the Political event Folkemødet - the Peoples Meeting of Denmark.

The statuette consisting of recycled ceramic, recycled glass and recycled wood.
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15. Juni Fondens Hæderspris - Design 2024

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Finalist nomination - Green Concept Award 2025

Finalist in the Green Concept Award 2025, in the category New Materials .

As well nominated for the Puclic Prize, vote here : https://www.gp-award.com/en/produkte/unwasted
Uddannelse og relevante kurser
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BA - Crafts - Glass and Ceramics Royal Danish Academy Institutue for Archetecture, Design and Conservation

Professional bachelor's degree program at The Royal Danish Academy, with specializing in ceramic and glass design and craft. An international education, taught in English.
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INTERN - Bente Skjøtgaard

Assisting ceramic artist Bente Skjøttgard in making and developing ceramic art pieces for the exhibition ALCHYMIST CONVENTION. Developing and researching in natural materials, and alternative use based on old recipes of Jean Gallie.
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Intern - Studio RAP, Architectural Studio

During my internship at Studio RAP, I contributed to projects that combined computational design with innovative digital fabrication techniques. Working alongside a multidisciplinary team in an industrial, robot-filled workspace, I gained hands-on experience in pushing the boundaries of traditional craftsmanship in glass and ceramics.
Andre aktiviteter
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EXHIBITION - Bachelor Project ‘24 - Crafts in Glass and Ceramics

Bachelor Exhibition 2024, together with 18 other Bachelor Students.

Bornholm's Center of Craftst - Grønbechsgård, Hasle
27.06.2024 – 27.08.2024

CLAY Ceramic Museum Denmark, Middelfart
06.09.2024 – 24.11.2024
Ceramics
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EXHIBITION - LAUNCHING EVENT: SocialSpace, NGO Solo Exhibition

Collaboration with non-profit mental health organization Social Space. Participating with exhibiting 4 ceramic and glass works for the Launching Events, in Copenhagen URBAN13 and Dypaang in Århus, Denmark.
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PLANETARY BOUNDARIES - Rethinking Architecture and Design

Curated exhibition by Susanne Jøker , KADK Copenhagen .
Project “ The Aesthetic of Crushing” being chosen at OPEN CALL , as a total of 25 other projects, for the exhibition. Recycled crushed industrial waste, made into architectural modules and elements. Assisting and working on the project w. Architect Jacob-Sebastian Bang and Nina Husted Ericsen.
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GROUP EXHIBTION - Vejen Art Museum , ALCHEMISTS’ CONVENTION

A research-based project and group exhibition drawing inspiration, of sculptor Niels Hansen Jacobsen’s (1861–1941) . Working in collaborating with The Conservation Center making XRF scanning analyses of ceramics at the museum.

Exhibiting series of 5 own works “ Characteristics of a tree”, as part of assisting artist Bente Skjøttgaard.
Erhvervserfaring
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Assistant European Ceramic Context 2024

Assisting Curator Susanne Jøker for European Ceramic Context 2024.

Creating Knowledge Sharing sessions for the Triennial event, as well as hosting the panel debates.

Title of the Triennial of 2024: How can ceramic makers, designers and artists adapt to more sustainable practices?
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Research assistant, Exhibition project "The Aesthetic of Crushing"

Working with architect Jacob-Sebastian Bang and Nina Husted Ericsen.

Research based work w. reusing , and crushing ceramic construction waste , for exhibition “The Aesthetic of Crushing “. Project chosen to be exhibited at Planetary Boundaries - Rethinking Architecture and Design.
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KUV - Student assistant Artistic Research - The Danish Ministry of Culture

Kunstneriskudviklingsvirksomhed . Artistic Research, funded by The Danish Ministry of Culture. Developing a Health Glazes Library w. Ceramic artist Christina Schou Hansen.
Sprog
Danish
English
Spanish