EXPERIENTIAL GARDEN, VISUALIZATION, ROTUNDA
PHENOMENA . LIMESTONE, SOUND MIRRIOR

FLUID SPACE an Experiential Garden

Navn
Camille Nejsig Læsø Nielsen
Uddannelsesgrad
Kandidat
Fagfelt
Arkitektur
Institut
Arkitektur og Rum
Program
Spatial Design - Architecture, Design and Interiors
År
2025

The project is an inhabitation of the vacant water tower in Roskilde. Exploring the site-specific potential of the rare industrial infrastructure. With a focus on emphasizing the spatial qualities, the water tower is reimagined as an experiential garden that magnifies the sensory experiences and emphasises the natural phenomena present on site.

This project is developed in collaboration with Karoline Bach Nielsen

Many former infrastructural buildings stand empty as society evolves. How can we transform these structures in ways that preserve their unique identity and character?

This project begins with the existing building itself, studying its quirks, qualities, and atmosphere, to shape a fitting new program, rather than forcing a predefined function onto it.

Experiential Garden: a space that engages the senses, emotions, and mind of its visitors through immersive, interactive, and multisensory experiences. 
 

The project is a permanent transformation of the inactive water tower in Roskilde, reimagining the former water tank as an experiential garden, and the former restaurant on top as a beacon for the local area, functioning as a public pavilion and viewpoint overlooking Roskilde.
The project focuses on magnifying the rare location and experience found within the water tank and creating a calm public space on top to connect, reflect and simply be.

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VIEW PAVILION
Experiential garden
VIEW PAVILION, PLAN DRAWING, SCALE 1:50, FORMAT 1100MM X 1000MM
EXPERIENTIAL GARDEN, PLAN DRAWING, SCALE 1:50, FORMAT 1100MM X 1000MM
Experiential garden
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USER DIAGRAM SCALE 1:100, CONTEXT SECTION SCALE 1:500
AXONOMETRIC USER DIAGRAM SCALE 1:100, CONTEXT SECTION SCALE 1:500

TRANSFORMATION STRATEGY

Transformation strategy: focusing on emphasizing human experiences in relation to the existing spatial qualities and phenomena present on site. 
We believe that we need to examine existing structures with care and a site-specific approach, valuing qualities over quantities.  The strategy is divided into four key elements:

INHABITING THE UNINHABITED: Reimagining uninhabited spaces and seeing potential in vacant structures. Domesticating the building, making it more human scale by creating accessible design that emphasizes human dimensions and perception.

SPATIAL QUALITIES: Mapping the potential in the existing structure and the qualities of the phenomena already present on site. 

HUMAN EXPERIENCE: With a phenomenological approach, we focus on the senses and how the space is perceived. 

FLEXIBILITY: Working intentionally with a permanent transformation that allows the space to change over time in relation to the changes of the seasons, inhabitants, and use. 

ROSKILDE WATER TOWER
ROSKILDE WATER TOWER
SITE MAPPING
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SEQUENCE
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CONTEXTUAL MAPPINGS
CONTEXTUAL MAPPINGS
WATER MOVEMENT
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PHENOMENA . LIMESTONE, SOUND MIRRIOR
PHENOMENA . LIMESTONE, SOUND MIRRIOR
Sound mirror
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VISITOR JOURNEY

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STAIR TOWER ARRIVAL
VIEW PAVILION
VIEW PAVILION
BEACON FOYER
ARRIVAL LANDSCAPE
 WHISPERING WALL
OCULUS
ROTUNDA
MOON PAVILION
STAIR TOWER ARRIVAL AT GROUNDLEVEL
VIEW PAVILION
VIEW PAVILION
BEACON FOYER
ARRIVAL LANDSCAPE
WHISPERING WALL
OCULUS
ROTUNDA
MOON PAVILION

FLUID SPACE an Experiential Garden

Thumbnail

BEHAVIOROLOGY

 

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VIEW PAVILION
Sound mirror
Reflection
Moon pavilion
VIEW PAVILION: The pavilion rises above the city, offering a sense of privacy and a new point of perspective of the city form above. At its center, a shallow pond invites a pause. You sit at the edge of the pond, watching the horizon shift with the seasons. The roof shelters you, while behind you, rain falls into the water. When the pond fills, it spills through a hidden grate, continuing its journey down to the chamber below you.
SOUND MIRROR Down in the chamber, a curved path leads you through the landscape of limestone. At one point, the path unfolds into a small platform. As you step onto it, voices surrounds you, reflected along the curved wall. You find yourself in an acoustic pocket, where every sound is heightened, every word echoed into clarity. You are experiencing the phenomena of sound mirrior.
REFLECTION The path draws you to the heart of the chamber. Here, the air shifts. It is quieter, denser, touched by the scent of damp stone. Water drips from above, echoing into the dark pool below you. Its surface conceals the depth, distorting space. Boundaries dissolve. Light and surroundings reflect, flicker, disappear
MOON PAVILION Along the curved path, you arrive at the Moon Pavilion. The tilted walkway lifts you to a new height, where the landscape of limestone below shifts in perspective. Overhead, an oculus opens to the sky, a quiet observatory framing the contrast between light and darkness, inside and out.
SECTION
PROGRAMATIC LAYERS, SECTION DRAWING, SCALE 1:50, FORMAT 1100MM X 1000MM
ROSKILDE WATER TOWER, RAISED SITE PLAN, GLOWING FACADES
ROSKILDE WATER TOWER, RAISED SITE PLAN, GLOWING FACADES

REMATERIALIZATION

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FACADE OPENING
REMATERIALIZATION DIAGRAM: OPENINGS IN INNER CONCRETE WALL
REUSE OF CONCRETE TO BUILD POND
REMATERIALIZATION DIAGRAM : PLACEMENT OF LIMESTONE
REUSE OF LIMESTONE TO CAST MOON PAVILION
HANDRAIL DETAIL
FACADE OPENING
REMATERIALIZATION DIAGRAM: OPENINGS IN INNER CONCRETE WALL
REUSE OF CONCRETE TO BUILD POND
REMATERIALIZATION DIAGRAM : PLACEMENT OF LIMESTONE
REUSE OF LIMESTONE TO CAST MOON PAVILION
HANDRAIL DETAIL

MODELS

EXISTING STRUCTURE, ROSKILDE WATER TOWER, SCALE 1:50
EXISTING STRUCTURE, ROSKILDE WATER TOWER, SCALE 1:50
EXISTING STRUCTURE, ROSKILDE WATER TOWER, SCALE 1:50
EXISTING STRUCTURE, ROSKILDE WATER TOWER
SITE MODEL, SCALE 1:500
SITE MODEL, SCALE 1:500
SITE MODEL, SCALE 1:500
SITE MODEL, SCALE 1:500
LANDSCAPE, SOAP MODEL, SCALE 1:100
LANDSCAPE, SOAP MODEL, SCALE 1:100
LANDSCAPE, SOAP MODEL, SCALE 1:100
LANDSCAPE, SOAP MODEL

Det Kongelige Akademi understøtter FN’s verdensmål

Siden 2017 har Det Kongelige Akademi arbejdet med FN’s verdensmål. Det afspejler sig i forskning, undervisning og afgangsprojekter. Dette projekt har forholdt sig til følgende FN-mål