The Weight of Absence: Meditations on Censorship

The Weight of Absence

U.S. Department of Justice, Wikimedia Commons
Navn
Linda Schneider
Uddannelsesgrad
Kandidat
Fagfelt
Design
Institut
Design og Visuel Interaktion
Program
Graphic Communication Design
År
2026
Udmærkelser
HK Privat Oprethavsfonds legat

From a redacted line to a removed image, to a post that reaches no one. Censorship moves between the visible and the invisible forms, from markings, filters, and acts of destruction to mechanisms that remain opaque and undetectable. This book explores that spectrum, mapping explicit and systemic forms of restriction. What do we see when we look at something not meant to be seen?

Thumbnail

This is our attempt to make sense of something vast. After navigating this topic for months, we realised that censorship has no single definition, no fixed boundaries, and no clear edges. It moves across spectrums and intentions, operates through entirely different logics depending on who exercises it and why—and produces, in all of these cases, its own distinct visualities. This publication is only a small window into that extensive world: a curated selection of material, shaped by what we found, what we could access, and what felt most urgent to us. 

Book Spreads
Book Spreads
Invisible Chapters
Invisible Chapters
Hole Punching: Killing an Image
Hole Punching: Killing an Image

Censorship begins with a perception: that something is too dangerous, too problematic, too sensitive—too powerful—to be allowed to remain. An image, a text, an object, a story, an opinion, a voice, an individual: they all have the power to challenge the coherence of a group’s identity, the aesthetic and ideological boundaries through which any community, institution, or regime defines and holds itself together. [1] When something crosses that boundary, the response follows—destroy it, disfigure it, conceal it. This logic runs through every form of censorship, however subtle: what cannot be controlled must be removed, and what cannot be removed must at least be made unseen.

[1] Von Falkenhausen, ‘What to Do with the Power of Images?’, p. 12.

Det Kongelige Akademi understøtter FN’s verdensmål

Siden 2017 har Det Kongelige Akademi arbejdet med FN’s verdensmål. Det afspejler sig i forskning, undervisning og afgangsprojekter. Dette projekt har forholdt sig til følgende FN-mål

HK Privat Oprethavsfonds legat

"Projektet viser at den visuelle side af formidling er en vigtig og helt nødvendig disciplin til at kommunikere og forstå samtidens komplekse udfordringer.
De demonstrerer med deres fælles afgangsprojekt, hvordan designere kan arbejde metodisk med at kortlægge, analysere, strukturere og formgive komplekst og svært tilgængelig viden og har gennem hele projektet udvist ualmindeligt højt engagement, stærk metodemæssig forståelse kombineret med en eksperimenterende og undersøgende tilgang til kommunikative virkemidler og designerens rolle.”

CV

Interested in everything books and maps, moving between data visualisations and information architecture. Especially into working with endangered languages.

Konkurrencer, publikationer og priser
-

Exhibition “The Austrian Romani. 30 years of recognition, 600 years in Austria.”

A wandering exhibition for the Austrian Parliament with the opening on the Day of National Minorities in Austria.
Uddannelse og relevante kurser
-

BA, Graphic- and Information Design

New Design University, Austria. Klasse Enrico Bravi.
Erhvervserfaring
-

Graphic Designer (Danish Endurance)

Graphic design and art direction for the Danish sports brand Danish Endurance, including campaigns, content production, social media, email marketing and photoshoots.
-

Graphic Designer (Studio Tante Emma)

Worked on campaigns from concept to execution, developed brand identities, and designed across social media, web, and print, while also participating in photo/video shoots and client pitches.
-

Graphic Designer (Freelance)

Designed data visualisations for magazines and exhibitions, and developed exhibition designs for the Austrian Parliament and other spaces.Designed data visualisations for magazines and exhibitions, and developed exhibition designs for the Austrian Parliament and other spaces. Also contributed to the visual development of a language-learning app for children, among other projects.
Sprog
German (native)
English (fluent)
Danish [A2]