AFTER THE PARTY

This body of work is a quiet rebellion — against conventional utility, against technical perfection, and in favor of softness, slowness, and presence. Rooted in the aesthetics of late 20th-century Danish and Swedish glass, it draws on bold forms, industrial clarity, and material honesty to reimagine the objects we gather around. Centering the candleholder and the candelabra, this work explores how form, memory and material presence can intersect around the dinner table. These forms sit between function and sculpture, memory and material, tradition and reinterpretation. It is a reflection on time, use, and presence — offering a new way to think about everyday objects.