CONTINUUM
CONTINUUM explores the space between function and sculpture through ceramic vessels. Rooted in my fascination with the vessel as the most archetypal ceramic form, the work reflects its dual role as both a utilitarian object and a timeless symbol of humanity. Each form enters into a close dialogue with the body - not to carry water or grain, but to hold essence, presence, and memory. At the heart of this project lies the question:
“How can I use the arrangement of vessel, landscape and base to construct a ceramic installation in which form, material qualities, and spatial relationships between the objects create a coherent constellation?”
The intention is to shift the ceramic focus from the functional to the conceptual - moving beyond pure function and into a sculptural language that communicates through spatial rhythm, surface, and material presence. Rather than separating vessel and base, I allow them to grow together in a continuous gesture, dissolving traditional hierarchies between object and pedestal. Inspired by natural formations, the base becomes a sculptural landscape - one that encourages the viewer to move, pause, and return.
Throughout the process, I developed a custom clay body by integrating crushed grog and paper into the material. This approach aimed not only to enhance the clay’s strength and texture, but also to repurpose discarded bisqueware and waste paper from our ceramic campus in Nexø, activating materials otherwise considered inert.
Initially, I set up a sorting station, dividing the bisqueware into separate bins based on color. I then crushed the discarded ceramics using a jaw crusher and sorted the resulting material into different grain sizes. From there, I conducted a series of tests to determine how much of the waste material could be added to the clay body before compromising its structural integrity. When did it stop holding together? At what point did the addition of waste weaken, rather than reinforcing, the clay?
I tested various combinations - different grain sizes, and consistent sizes in varying proportions - to better understand how the material behaved and where its limits were. This became a central part of the project: not just reclaiming waste, but investigating how far its potential could be stretched.
The final recipe for the project was
K129 from reclaim 6,5
Salt clay from reclaim 2
Porcelain from reclaim 2,9
Mixed white clay from reclaim 0,6
Grog in different meshes 2,8
Paper 0,45
In this recipe over 20% of the materials are ‘’recycled’’ or ‘’renewable’’.
CONTINUUM invites reflection on surface, rhythm, and material sensitivity, grounded in an enduring curiosity for a craft that transcends time.
XII. Bachelor Exhibition 2025. Layout by Anders Gerning & Tor S. Johannesen
Det Kongelige Akademi understøtter FN’s verdensmål
Siden 2017 har Det Kongelige Akademi arbejdet med FN’s verdensmål. Det afspejler sig i forskning, undervisning og afgangsprojekter. Dette projekt har forholdt sig til følgende FN-mål