Tactile plan drawing of two buildings and their urban context.

Follow the Sound of Yellow

Navn
Jeppe Chorchendorff Vinholt Johansen
Uddannelsesgrad
Kandidat
Fagfelt
Arkitektur
Institut
Arkitektur, By og Landskab
Program
Urbanism and Societal Change
År
2026
Udmærkelser
Månssons

Experimenting with a Multisensory Transformation of an Elementary School through Blindness Gain

The project explores how architectural practice can move beyond a purely visual understanding of space in a transformation of the general elementary school Sortedamskolen and Remisen in Copenhagen.  Through the lens of Blindness Gain, the project is informed by perspectives from the blind community to better understand and shape the non-visual dimensions of architecture, aimed at creating richer and more accessible spatial experiences for everyone.

The project is carried out in collaboration with Emilie Kjærgaard Hauge

 

Blindness Gain

"Exploring what blindness brings to the design aesthetically, sensorially and culturally for both blind and non-blind people."

 

’Blindness Gain’ is a counter to ’loss of sight’, shifting the focus from blind people’s lack of sight to the multisensory insights they possess. (Thompson et al., 2025, Blindness Gain and the Arts, Beyond the Visual - Multisensory ­modes of beholding art)

Societal Theme

 

Challenging occularcentric architecture

”According to [Juhani] Pallasmaa “[a]rchitecture’s one-sided focus on the visual has never been as evident as in the past 50 years, during which a form of architecture aimed at creating spectacular and eye-catching images has been dominant.” This leads to a built environment, where “[i]nstead of experiencing our being in the world, we observe it from the outside, like spectators of images projected onto the surface of the retina.” This ocularcentric understanding of architecture reduces our being in the world to that of observers and architecture as something only to be observed. [...] The alienation sighted people may experience in a visually designed space will disproportionally affect blind people and the built environment risks becoming a sight of exclusion.” (Hauge, 2025, Challenging Architecture's Visual Bias by Learning from Blindness, citing Pallasmaa)

The Visual Spectrum

Vision isn’t binary – it is a spectrum where everyone has different starting points. In Denmark, there are around 12.500 people with legal blindness, meaning they have less than 10% of what is considered ‘normal’ vision. However, there is a much larger group of people with varying degrees of vision that deviate from the idealised 6/6 standard.

Diagram showing vision as a spectrum

Sensory Spaces

By working with the different sensory spaces, the project aims to increase spatial understanding and wayfinding, and shape atmospheres, spatial identity and collective memories. Through a sensory analysis of the site and the development of a matrix of sensory spatial experiences, an architectural language emerges: contrasting sensory conditions, tactile edges, unobstructed directional flows, material-based associations, and outdoor pathways.

Diagram sensory spaces

Blindness and special needs in the Danish Elementary School

Among young blind adults, 33% have an elementary school education as their highest level of education. This applies to only 6,7% of non-blind individuals, and the gap between the two groups has been increasing for more than 50 years.

The project responds to the increasing segregation of students with special needs and the declining well-being among all children in the Danish elementary school system. The transformation seeks to create inclusive spaces in existing buildings by addressing a wider range of sensory needs present in all children, regardless of visual abilities.

Diagram of Statistics
Elementary school statistics on inclusion, learning outcomens and well-being of children with special needs

The Site

Map of Østerbro with the Project Buildings marked in Blue
Context

Listen to the site here

Sortedamskolen
Sortedamskolen is one of Copenhagen’s general elementary schools, centrally located in Østerbro. The school is divided across two plots on Ryesgade. The 4th to 9th-year building is located between Remisen and the lakes, while the 0th to 3rd-year building is in a separate building 200 metres further down Ryesgade. Over the past 10 years, the school has experienced a 12.5% decrease in student numbers.

Remisen
On the other side of the street is Remisen, an old tram depot located between the larger school building and Trianglen metro station. Remisen is currently used as a sports hall, serving local sports clubs and hosting public events. During weekdays, the facilities are used by Sortedamskolen and Ingrid Jespersens Skole.

Despite its importance to local sports clubs and schools, the municipality is considering merging Østerbro’s two local libraries into Remisen to create a combined Library and Activity Centre. Copenhagen already lacks spaces for sports facilities, so maintaining what we already have is crucial.

Site Photos

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Long narrow hallway inside the school
Classroom
Entrance of the School
Flee Market in Remisen
Facade of Remisen hidden behind trees, seen from across Blegdamsvej
Neglected corner of a classroom with a small table
Walking around the school we are faced with many narrow dark hallways with smooth white walls, a matte gray smooth floor and a lowered perforated acoustic ceiling. In many of the corridors, there are no windows, and a repetition of doors on both sides of the wall. Along the entire length of the walls are black coat hangers.
Inside one of the classroom, the smooth walls and matte gray floor is repeated. The ceiling is crossed by very large exposed pipes. Located between two disconnected hallways, the room is left as a passage. Desks are spaced out with some chairs flipped on top. Shelves, posters, and a world map line the back wall.
As we enter the school, we are faced with tight directionless corridors with painted ­smooth walls and visible piping. In all directions there are steps, which cut the corridors into smaller sections. The halls are quiet at this time and there are no indications of where to go. It feels like we entered a maze.
Inside Remisen, the big sports hall is lined up with long rows of tables for a sunday flea market. The windows are permanently blinded and the indoor lighting from above feels artificial.
Standing with our back to Trianglen Metro facing a busy traffic junction on Blegdamsvej. Across the pedestrian crossing, Remisen faces us with a closed off facade. Surrounded by the rythmic noises of car breaks whining, the traffic light beeping and engines accelerating. The wind is coming from all sides in this open space.
In the corner of a classroom there is a small isolated seating area. A table and chair is facing a wall with a tiny window above eye height. The space is dimly lit and it feels dark and neglected. It looks more like a punishment than a space to gather your thoughts.

Current spatial conditions and challenges for Sortedam School

The school building by Remisen has expanded over time into the neighbouring apartment building and with new-built additions. This creates a quite complex spatial layout with multiple challenges when it comes to wayfinding, accessibility and the program. Some of the current challenges include the many disconnected hallways, the apartments placed inside the school, the many changes in floor-levels making it inaccessible to people with lower mobility and the classrooms placed on the upper floors far from the courtyard.

Ground floor of Sortedam School showing existing conditions

Phenomenological sensory mapping of site

As a starting point for shaping the sensory spaces, we investigated the site through a phenomenological sensory mapping. By addressing the sensory inputs and associations of each sensory space on site, we could identify spaces with risk of sensory overload or lack of sensory input and unpleasant sensory experiences to modify or pleasant sensory experiences to enhance

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Diagram
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Complete Sensory Mapping
Mapping of the Auditory Dimension
Mapping of the Kinaesthetic Dimension
Mapping of the Tactile Dimension
Mapping of the Thermal Dimension
Mapping of the Olfactory Dimension

Spatial Diagnosis and Response

Diagram

The Design

Design matrix using Sensory Spaces

In The Image of the City Kevin Lynch phrases 5 features that shape the perception of a city and helps in constructing mental maps of spaces. These 5 features (path, edge, node, district and landmark) are mainly described through the visual space. By translating them into the non-visual sensory spaces, the features became a foundation for the project's non-visual design language.

Diagram
Sensory Design Matrix

Design Principles

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Diagram
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Tactile Masterplan

The masterplan is developed as a tactile masterplan with a tactile guiding route from Blegdamsvej through Remisen and into the school.

The different textures of the plan lets the reader understand the locations of classrooms and courserooms, spaces of retreat and main pathways. The plan has both text and braille to mark the different functions.

Tactile plan drawing of two buildings and their urban context.
Tactile Masterplan of Remisen and Sortedam School

Tactile Section

The tactile section takes the reader through the route from Blegdamsvej along a slightly sloped terrain into the first floor in Remisen, through Remisens new library, across the new raised pathway over Ryesgade and directly into the school's children's library.

Tactile Section drawing showing Remisen on the left and the school on the right
Tactile Section of Remisen and Sortedam School

The route through the project

Along the tactile route in the plan are 5 shapes that reference 5 tactile visualizations with corresponding symbols. These models zoom in on the design solutions at specific locations.

Plan with Symbols

Tactile visualizations

The tactile visualizations are 1:25 narrow models made for touch. Through them it is possible to see and feel the spatiality and the materiality of each space. Each surface is covered in a tactile representation of the chosen material with a corresponding material sample.

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Model 1 of the new facade of Remisen
Model 2 of an elevated Passage going into the school
Model 2 showing the assembly staircase inside the school
Model 3 showing an addition to the facade of the school inside the courtyard
Model showing several stories of classrooms inside the school
Remisen facade facing Blegdamsvej. The former blinded windows are now opened, letting the building appear more inviting. The sloped terrain leads to an entrance on the 1st floor leading on a path directly through Remisen and into the school.
The passage above Ryesgade leading into the children's library in the school. In the passage you are visually disconnected, but the sky is open above you creating a space where you can listen to the city around you.
The new double-height entrance hall with an assembly staircase and a retreat space underneath, connected through sound.
The courtyard entrance to the primary school. The covered pathway creates a distinctly different auditory soundscape that guides between locations in and out of the school
The 3 floor of the primary school shown in section. From left to right: common area on the ground floor, hallways, retreat spaces, classrooms, and kinaesthetic nodes for engaging in the classroom in different ways.

Visualisations

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Visualisation of Remisen
Visualisation of outdoor classroom
Visualistion of primary school common area
Standing at Blegdamsvej, looking at Remisen’s new front square, the ground floor entrance to the library and the sloped terrain leading into the first floor along a path that also leads to the school.
Winter garden in front of the nature/technology course room, where new skylights and windows open to let in fresh air. The brick paving on the floor resembles the outdoors to allow for a playful interaction with the space.
Primary school common space with a gathering zone in burned cork in the middle. The zone is rounded and the seats on the floor face each other, resembling the experience of sitting around a bonfire.

Ground Floor

Plan drawing of the school’s ground floor and immediate urban context. The school spans from the semi-public and active multi-hall and course rooms towards Ryesgade, to the classrooms towards the courtyard and the lakes. A yellow path connects all areas of the school in linear flows, moving between indoor and outdoor along a smooth and accessible slope. Inside the school, you move along hallways that expand into bigger assembly spaces while being connected to small spaces for sensory retreat.

Blue marks new additions and grey marks the existing.

School Ground Floor 1:100

Section

Section drawing spanning from northwest on Ryesgade to the school’s courtyard towards southeast. Above Ryesgade a new passage connects the library in Remisen with the children’s library in the school. In the centre, a cut through the school’s central building shows the point of arrival marked by a tall room with a staircase for the students to assemble. On the 3rd floor, a room is opened up towards the outside to allow for movement and a breath of fresh air for the students furthest from the courtyard.

Sectional drawing showing the School's entrance area between the street and courtyard.
Section through School 1:100

Sections

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Sectional drawing showing the Remisen's new library and addition shown in elevation
Sectional drawing showing the School's primary school area.
Elevation drawing looking onto the School's facade towards the lakes.
Section drawing cutting across Remisen showing the added library and citizen centre to the left. The library is built as a wooden structure with contrasting room sizes. Through the library, a path leads directly into the school. On the right, a new structure containing a café and multi-hall adds an extroverted face to the building towards the public. On the far right, a covered pathway marks the side entrance of Remisen.
Section drawing cutting across the school’s courtyard and the primary school classrooms. A covered pathway creates a direct connection for the younger students between the KKFO and the primary school common area. The sloping ground creates a natural directional sense and the cover over the pathway provides shelter from the rain and divides the courtyard into different zones.
An elevation of the school building’s southeast-facing facade as seen from the lakes. The added wooden structures marked in blue appear on the existing brick building as a mix of rectangular and rounded shapes.

The classroom typology

The classroom consists of: the classroom, a small entrance area, a retreat/concentration space that can function both as an extension of the hallway or the classroom and a kinaesthetic/tactile nook. Along the walls of the classroom are panels with movable pillows, that allow children to sit comfortably on the floor around the walls. This classroom typology provides a range of different ways of participating in class, so the needs of each child can be met, whether they are kinaesthetically or tactilly understimulated or visually or auditorilly overstimulated. Thereby all children are encouraged to shape their own learning space and at the same time children with special needs might not feel singled out for using their special equipment during class as all children use the classroom according to their needs.

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Plan diagramme of the classroom typology
Section diagramme showing classroom entrance situation
Section diagramme showing classroom retreat space
Section diagramme showing classroom kinaesthetic node
Classroom Typology
Classroom Entrance
Classroom retreat/concentration space
Kinaesthetic/tactile node of the classroom

The flexibility of the retreat space

The retreat space is designed as both an extension of the hallway and the classroom, creating a flexible space that can be used differently during school hours. The space can be completely shut off from both sides, creating a space for retreat and solitude. It can be opened towards the hallway for afterschool activities, or it can be opened partially or completely towards the classroom to allow for more quiet concentration time or groupwork.

Diagram showing the uses of the Classroom retreat space

Shared functions across Remisen and the school

Part of the project has also focused on how Remisen and the school can share more functions across the street. In the dense urban context of Copenhagen many institutions are fighting for the squaremeters, and as there is no space to build new, a solution for this might be to share more. In the plandiagram the shared functions are marked with a white color. This includes the library, sport's hall and course rooms. These functions are placed towards either Blegdamsvej or Ryesgade on the ground floor and first floor. The school is thereby divided into a more public part of the building towards Ryesgade and a more private part towards the courtyard and on the upper floors. During school hours Remisen functions as an extension of the school and after school hours the school's public area becomes an extension of Remisen. Remisen then becomes a sports' and culture house with the additional workshop spaces, thereby utilizing the square meters over the course of the day while providing more cultural options in Østerbro.

Overview of all the levels of the Sortedam School and Remise in our proposal

Final reflections

Going into the project with Blindness Gain and the sensory spaces we imagined ourselves designing quite radical spaces evoking strong sensory experiences. But we have along the way found that it is more about everyday architecture and creating different ways of experiencing spaces inspired by people’s many different ways of experiencing the world.

Thank you

Thank you to Dansk Blindesamfund, Synscenter Refsnæs, IBOS (Instituttet for Blinde og Svagsynede) and Cluster for Spatial Inclusion at the Royal Academy for taking the time to share their knowledge and discuss our project.

Det Kongelige Akademi understøtter FN’s verdensmål

Siden 2017 har Det Kongelige Akademi arbejdet med FN’s verdensmål. Det afspejler sig i forskning, undervisning og afgangsprojekter. Dette projekt har forholdt sig til følgende FN-mål
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Månssons

"The project is humble in its ethical sensitivity toward the communities it engages, bold in its ambition to expand what architecture can be. The result pushes our awareness of other ways of perceiving the world and demonstrates that designing for the full diversity of human experience makes space richer for everyone."